Creative Writing - Fiction, Writing Fiction That Sells

When writing fiction, the author must rely upon his/her instincts and experiences to create a story. This article will provide an overview of 7 of the major elements of writing fiction in good form, i.e., the form editors expect.

Plotting

Plotting and characterization carry the other elements of the book. The plotting must be believable, plausible, and interesting. It is a sequence of events connected in a cause-and-effect manner. Generally the plot consists of a series of increasingly more intense conflicts, a climax (the most intense part of the book), and a final resolution. The plot must advance as the book unfolds. Usually the closer to the end of the book the climax is placed the better.

Creative Writing - Fiction, Writing Fiction That Sells

Long works like novels can have many subplots and secondary climaxes and resolutions. Avoid using subplots in order to have cliché characters. Avoid too many coincidences.

Flashbacks have been overused. A book is stronger when it runs chronologically.

Characterization

The reader should be able to identify with and care about the characters in the sense that the characters seem real to the reader. The characters must do something, and what they do must seem reasonable for them to have done it.

Characters should be introduced early in the book. The more often a character is mentioned or appears, the more significance the reader will attach to the character. Also, the main character should be introduced before setting, so that the setting can be introduced from the point of view of the character.
The nature of characters can be brought out through minimal description and the actions, thoughts, and dialogue of the characters. The author should allow the reader to make judgments about the characters; the author should avoid making the judgments for the reader. The feelings of the character should be demonstrated rather than told by the narrator.

Yet, there are some very good books in which much of the narrative voice is about a character's feelings and thoughts or in which the narration goes into great detail and analysis of a character's feelings and thoughts at some point. So one rule about writing fiction is that there are no rules, or maybe: If it works, it works.

Scene

Scene includes the place and time in which the book takes place. The scene should be described in specifics to make the book seem real, to set the atmosphere and mood of the book, to place limitations on the characters, or to help establish the basic conflict of the book. Weather can be an important part of a scene.

The scene can be used for contrast, having something taking place in an unexpected place. Also, the more unfamiliar the reader is with the setting, the more interesting the scene.

Dialogue

Dialogue makes fiction seem real. However, dialogue that copies reality may actually slow down a book. Avoid unnecessary or repetitive dialogue.

Dialect in dialogue can be difficult to read. A small amount of it can be used to establish the nature of a character, but overuse will intrude on the book. The level of use of language by the characters- pronunciation, diction, grammar, etc.- is often used to characterize people in a book. Most often the main characters use the best English.

Profanity and vulgarisms can be used where they seem appropriate. Overuse amounts to author intrusion and can interrupt the reader's belief in the book.

Too much exposition through dialogue can slow down a book. Characters should not repeat in dialogue events which have already happened in the book.

Also, one character should not tell another character what the second character should already know just so the author can convey information to the reader.

The form of dialogue should be varied to keep the reader interested. However, don't try to find too many different ways to say "said."

Interior dialogue is what a character is thinking. Dramatic dialogue is a character thinking out loud, without response from other characters. Indirect dialogue is the narrator telling what a character said.

Dialogue should be used to develop character or to advance the book. It should not be used just to hear characters talk.

Point of View

First person point of view has the main character telling the story or a secondary character telling the main character's story. Everything that happens in the book must be seen or experienced by the character doing the narration. The reader's judgment of other characters in the book will be heavily influenced by the narrator. This can be very limiting. Also, a book written in first person usually means that the main character won't die in the plot. However, first person point of view gives a sense of intimacy to the book.

Third person point of view can be objective or omniscient. An objective narrator describes actions but not the inner thoughts or feelings of the characters. An omniscient narrator can describe all the actions of all of the characters but also all of their inner thoughts and feelings as well.

Genre

Genre is the main category into which a book fits. Most stories meet the criteria for multiple genres, but you should have some focus, identifying a market before you begin writing fiction.

Narrative Voice

Narrative voice is the way the author uses language. The longer the work the less important language becomes. Above all, the author's work must tell a story. The author should not be more concerned with the words used than with the tale the author is trying to tell. Don't be a fanatic about words. The language is less important than characterization and plotting. However, a combination of a good story and good narrative voice will be a delight to read. Mistakes in English amount to author intrusion and detract greatly from the book. The most effective writing uses the active voice, and nouns and verbs so specific that they require no modifiers. The choice of words can help set the tone of the book.

Beginning authors often miss one critical fact about writing fiction. It is up to the author to please the reader, not the other way around.

Creative Writing - Fiction, Writing Fiction That Sells
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Creative Writing: How to Start Your Novel

When I was in the eleventh grade, I took a creative writing elective with one of the most brilliant teachers I've ever met. She was brutal, honest and highly creative; I don't know why she hadn't graduated to teaching college courses. In any event, she gave me the best writing advice I have ever gotten:

"The worst way to start your story is with a 'dark and stormy night'. It's been done. Other than that, the sky's the limit."

Fiction

I took her advice to heart, and the stories I wrote for her class had the most creative beginnings I've ever written.

Creative Writing: How to Start Your Novel

Most beginning (and even veteran) writers struggle with how to open their novels. Dialogue? Action? Witty prose? How you start your novel with decide how many people buy it off bookstore shelves. Captivating your reader should be the first priority, but how do you know if it's exciting enough?

How to Start Your Novel with Dialogue

I rarely start novels with dialogue, mostly because I can never think of anything important enough to say. However, sometimes dialogue is the best way to get your novel off to a running start. If your characters are in the middle of a fight or if there's something you want to get right out in the open, dialogue can thrust your reader right into the opening scene of the novel.

That said, you have to be careful. Resist the urge to start your novel with dialogue like, "How are you feeling today?" If you plan to open with dialogue, it must be intelligent and important and captivating.

My only real advice for starting your novel with dialogue is to have only one line of speech before you insert some explanations. Even if the characters are in the middle of a conversation, don't confuse your reader by failing to give details.

How to Start Your Novel with Action

Obviously, action is the most popular way to start a novel. It's exciting, intriguing, and it lures your readers into the story before they even know what hit them.

This is especially true with mystery and suspense stories. In those genres, readers expect to be hooked from the get-go, and they want to be shocked from paragraph one.

How to Start Your Novel with Prose

In this case, "prose" really refers to description. Some of the most powerful novels of all time have begun with languid and lyrical description:

"It was the best of times, it was the worst of times..."

- Charles Dickens, A Tale of Two Cities

"A squat grey building of only thirty-four stories..."

- Aldous Huxley, Brave New World

Description is my favorite way to start a novel because it eases the reader into the storyline. There are no expectations, no assumptions; your reader becomes immersed in the fictional world that you have created, and at your own pace; no one else's.

The only problem with this method is that you must find a unique way to describe the opening scene. My advice is to think about the characters and the setting and to pick out a remote object on which to comment. This takes your reader from a very specified place - the object - and into a more complex scene - your opening. For example, one of the books that I ghosted several years ago began like this:

"In a room filled with beautiful antique furniture and ancient artifacts from Egypt and Rome, the digital clock radio stuck out like a sore thumb. It's flashing green digits called attention to the clock as if to say, I may be new, but I'm still important. It struck me as odd that someone as refined and as old-world as Cunningham Thompson III would rely on such a technological timepiece." By drawing your readers' attention to something mundane, they will be twice as captivated when you get on with the plot.

Creative Writing: How to Start Your Novel

Laura J. College is a professional ghostwriter with more than ten years' experience writing fiction and non-fiction manuscripts. Her work can be found all over the Internet, and she is currently accepting ghostwriting clients. Check out her website at [http://www.laurajcollege.com]

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